{"id":10247,"date":"2017-04-18T07:30:59","date_gmt":"2017-04-18T05:30:59","guid":{"rendered":"https:\/\/xoxo.capsule.ch\/projekt\/fragmentary-homes-living-in-a-mies-van-der-rohe-house-and-the-landscape-experience\/"},"modified":"2017-04-18T07:30:59","modified_gmt":"2017-04-18T05:30:59","slug":"fragmentary-homes-living-in-a-mies-van-der-rohe-house-and-the-landscape-experience","status":"publish","type":"projekt","link":"https:\/\/xoxo.capsule.ch\/en\/projekt\/fragmentary-homes-living-in-a-mies-van-der-rohe-house-and-the-landscape-experience\/","title":{"rendered":"Fragmentary Homes. Living in a Mies-van-der-Rohe-House and the Landscape-Experience"},"content":{"rendered":"<p>This dissertation investigates the aesthetic experience of nature, following debates in German Philosophical Aesthetics from the 18th up to the 20th century. It argues that in modern conditions the landscape constitutes an aesthetic counterworld to the \u2018reifying\u2019 sphere of the technical.<\/p>\n<p>More specifically, the work will claim that in terms of natural aesthetics a modern landscape only becomes what it is through the presence of the technical artifact. In a close focus on the spatial correspondence of \u2018house and garden\u2019 it traces back typologies of the \u2018pavilion\u2019 and the \u2018clearing\u2019 in the exemplary work of Ludwig Mies van der Rohe.<\/p>\n<p>This research is meant to make a contribution to architectural theory shedding light on the sparsely illuminated significance of landscape aesthetics for the modern home. It offers an alternative perspective on landscape architecture by stressing its role as a counterpole to the functionality and technicality of the modern world.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This dissertation investigates the aesthetic experience of nature, following debates in German Philosophical Aesthetics from the 18th up to the 20th century. It argues that in modern conditions the landscape constitutes an aesthetic counterworld to the \u2018reifying\u2019 sphere of the technical. More specifically, the work will claim that in terms of natural aesthetics a modern [&hellip;]<\/p>\n","protected":false},"featured_media":10243,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":""},"categories":[],"departemente":[155,228,147],"class_list":["post-10247","projekt","type-projekt","status-publish","has-post-thumbnail","hentry","departemente-department-of-architecture-d-arch","departemente-former-chairs","departemente-prof-christophe-girot-en"],"acf":[],"taxonomy_info":{"departemente":[{"value":155,"label":"Department of Architecture (D-ARCH)"},{"value":228,"label":"Former Chairs"},{"value":147,"label":"Prof. em Christophe Girot"}]},"featured_image_src_large":["https:\/\/xoxo.capsule.ch\/wp-content\/uploads\/2017\/04\/Fragmentary-Homes_Mies-Van-der-Rohe-Das-kunstlose-Wort_Kirchengast.jpg",1009,400,false],"author_info":[],"comment_info":"","_links":{"self":[{"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/projekt\/10247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/projekt"}],"about":[{"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/types\/projekt"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/media\/10243"}],"wp:attachment":[{"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/media?parent=10247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/categories?post=10247"},{"taxonomy":"departemente","embeddable":true,"href":"https:\/\/xoxo.capsule.ch\/en\/wp-json\/wp\/v2\/departemente?post=10247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}